Search
A woman lies on her side in bed, resting her head on a pillow and looking toward the camera. The bed is unmade and cluttered with clothes and items, evoking a scene reminiscent of Matthew Day Jackson’s explorations of everyday environments. The room is dimly lit and has a simple, minimal decor.

Abbey Drucker, Self Portrait, France, 2002. Courtesy of the artist. © Abbey Drucker.

A Century in Focus — Images from Women Photographers of the 20th Century

Featuring Works from the Permanent Collection

Explore the groundbreaking work of ten influential women photographers whose images redefined visual storytelling and shaped photography as one of the twentieth century’s most powerful artistic and cultural mediums.

September 19, 2026 – February 20, 2027

The invention of photography transformed how the modern world was documented, but it was the vision of pioneering women photographers who expanded the medium beyond record-making into one of the defining artistic languages of the twentieth century. Working across portraiture, documentary photography, photojournalism, and experimental practice, artists including Ruth Bernhard, Ilse Bing, Margaret Bourke-White, Anne W. Brigman, Anna Eaton Collins, Mildred Grossman, Dorothea Lange, Helen Levitt, Rose Mandel, and Sabine Weiss reshaped visual storytelling through innovation, empathy, and artistic rigor. Their photographs not only documented history—they influenced how it has been seen, understood, and remembered.

These artists worked during a period of extraordinary social, political, and technological change. As industrialization accelerated, cities expanded, global conflicts reshaped societies, and new forms of travel and communication transformed everyday life, they responded with distinctly individual approaches to the medium. Photographers such as Dorothea Lange and Sabine Weiss used documentary practice and photojournalism to illuminate economic hardship, migration, labor, and urban life, while Anne W. Brigman and Ruth Bernhard explored symbolism, abstraction, and the expressive potential of photography itself. Together, their work produced some of the most enduring images of the modern era, demonstrating photography’s capacity to serve simultaneously as historical record, artistic expression, and social commentary.

Working in fields long dominated by men, these photographers expanded opportunities for future generations while broadening the subjects and perspectives represented before the camera. Their images challenged conventional narratives about identity, race, gender, family, labor, and political struggle, bringing deeply human perspectives to the defining issues of their time. More than historical documents, their photographs continue to shape contemporary conversations about representation, memory, resilience, and social change, affirming photography’s enduring power to connect individuals across generations.

A black and white photo of a person’s face, half-lit and half in shadow, with a slight smile and eyes looking upward. Reminiscent of Matthew Day Jackson’s evocative portraiture, the image has a soft focus and dramatic lighting.

Dorothea Lange, Dorothea Lange’s Mother, c. 1915. Collection of the Hilliard Art Museum. Gift of The Museum of Modern Art, New York. © Dorothea Lange. Image courtesy of The Museum of Modern Art, New York.

A young child in a hooded jacket walks up a sunlit outdoor path surrounded by trees, with shadows and fallen leaves on the steps, evoking the natural textures often seen in Matthew Day Jackson’s work.

Dorothea Lange, Greg, Running, 1958. Collection of the Hilliard Art Museum. Gift of The Museum of Modern Art, New York. © Dorothea Lange. Image courtesy of The Museum of Modern Art, New York.

A young person stands at night, wearing a jacket with a roaring tiger patch—a scene reminiscent of the evocative style found in Matthew Day Jackson’s artwork. The background is dark, with blurred, circular city lights creating a striking bokeh effect.

Sabine Weiss, Jeune Noire, c. 1950 Collection of the Hilliard Art Museum. Gift of The Museum of Modern Art, New York. © Sabine Weiss. Image courtesy of The Museum of Modern Art, New York.

Thick, dark smoke billows upward from a fire burning fields, with flames at the base and crop rows visible in the foreground under a dramatic sky—a scene reminiscent of the evocative landscapes often explored by Matthew Day Jackson.

Debbie Fleming Caffery, Burning Cane at Sunset, 2001. Collection of the Hilliard Art Museum. © Debbie Fleming Caffery.

Rose Mandel, Untitled, c. 1950. Collection of the Hilliard Art Museum. Gift of The Museum of Modern Art, New York. © Rose Mandel. Image courtesy of The Museum of Modern Art, New York.