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Abstract bronze sculpture with interlocking geometric shapes, including curves, rectangles, and cut-out sections, creating a dynamic and layered composition against a white background.

Curtis Patterson — Persistent Vision, Sculptures from 2011 – 2026

Persistent Vision marks Patterson’s first museum exhibition in his home state, offering a platform for his contributions to be more fully appreciated and widely recognized.

September 19, 2026 – February 20, 2027

Patterson’s command of material and composition has established him as a major sculptor of monumental public works in cities including Atlanta, Columbus, Dallas, Shreveport, and St. Paul. The Hilliard Art Museum’s fall exhibition, Persistent Vision, surveys more than fifteen years of his practice through pedestal-scale and wall-based works that reveal the recurring forms, symbols, and ideas that shape his art.

The Rocker series (2011–) features interlocking sculptures that balance movement and stillness through inventive engineering. The mask-inspired wall reliefs Diasporic Reflections (2021) vary in texture, color, and form, evoking transformation, individuality, and self-expression. Shango’s Friends—begun in Corten steel in 2020 and expanded in patinated bronze in 2025—continues Patterson’s exploration of material and African symbolism, particularly the Yoruba double ax and double iron. These elements converge in the new wall-based steel series XX (2026). Together, the works present an artist in full command of his materials and ideas, continuing to produce original and thought-provoking sculpture.

For five decades, Patterson has approached form, scale, and material with ingenuity and a commitment to expanding meaning. His work reflects a lifelong effort to honor the past while creating a foundation for future generations. Asked recently how he wished to be remembered, he responded:

“I would like for someone to know that I was trying to recognize the contributions that were made by people of African descent, particularly before me. I stand on their shoulders, and hopefully somebody will come behind me and continue to do the same.”

About Curtis Patterson

Born in Shreveport, Louisiana, in 1944, Atlanta-based sculptor Curtis Patterson draws on experiences growing up during the Civil Rights Movement to inform his subject matter. His bronze and steel sculptures incorporate African diasporic motifs and symbolic forms inspired by the improvisational nature of jazz. Through abstraction, Patterson invites viewers into visual metaphors steeped in history and cross-cultural dynamics. Motifs evoking continuity and dynamism translate the journey of the body—particularly the Black body—through time and space.

Abstract metal sculpture with geometric and curved shapes, textured with green, blue, brown, and bronze tones in a manner reminiscent of Elemore Morgan Jr., standing on a round white base against a plain background.

Curtis Patterson, Hymn to Freedom (Rocker Series), 2025. Courtesy of the artist and Laney Contemporary. © Curtis Patterson.

Abstract metal sculpture resembling a seahorse, constructed from intersecting, patina-covered flat metal pieces with geometric and organic shapes.

Curtis Patterson, Cold Front (Rocker Series), 2021. Courtesy of the artist and Laney Contemporary. © Curtis Patterson.

A modern abstract bronze sculpture inspired by Elemore Morgan Jr., with interlocking curved and angular shapes, featuring smooth and textured surfaces, creating a dynamic, flowing composition.

Curtis Patterson, Monk’s Moods (Rocker Series), 2018. Courtesy of the artist and Laney Contemporary. © Curtis Patterson.

Abstract metal sculpture with geometric shapes, a circular form with gear-like edges, intersected by a diagonal rod, featuring textured and rusted surfaces reminiscent of Elemore Morgan Jr.’s expressive style. Set against a plain white background.

Curtis Patterson, July (Diasporic Reflections Series), 2021. Courtesy of the artist and Laney Contemporary. © Curtis Patterson.