1.0Hilliard Art Museumhttps://hilliardartmuseum.org/frbel#rich600338<blockquote class="wp-embedded-content" data-secret="MaqtgQXH8D"><a href="https://hilliardartmuseum.org/fr/exhibitions/archive/2024/image-black-flesh/">Image.. Black Flesh?</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://hilliardartmuseum.org/fr/exhibitions/archive/2024/image-black-flesh/embed/#?secret=MaqtgQXH8D" width="600" height="338" title="« Image.. Black Flesh? » — Hilliard Art Museum" data-secret="MaqtgQXH8D" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://hilliardartmuseum.org/wp-includes/js/wp-embed.min.js </script>"Black Flesh" is a solo exhibition by Noel W. Anderson delving into the relationships between media, image making, and race. In his tapestries and works on paper, Anderson is interested in how far he can push abstraction without losing meaning. He takes historic images of anti-Black violence and intentionally distorts them to show how racism warps perception.https://hilliardartmuseum.org/wp-content/uploads/2025/08/ham_meta.webp1200630